The past decade has brought the world a lot of political and economic chaos, but the same time has given us the same time to defend it Paddington Bear Films. 2015s Paddington and 2018 Paddington 2Adjustments to the beloved children’s book series, which was first introduced by the British author Michael Bond in 1958, set a new high bar for family entertainment. With these two London set adventures, a mixture of animation (Paddington) and live action (everyone else), director Paul King created a loopy world, as cozy and visually appealing as a doll’s house. The Paddington Films were also refreshingly gentle, with moral messages that had not been made from the preaching dialogue, but from the modest quality of their primary protagonist. And Ben Whishaw’s language performance as a terribly polite, naive bear is one of the great games between actors and an animated character, with Tom Hanks’ Woody in the Toy story Films: Whishaw very simple Is Paddington and the completeness and credibility of its characterization would have distinguished the films without their droll scripts and all-in-supporting casts. (The next James Bond can only dream of a nemesis that is as charismatic as Phoenix Buchanan, Hugh Grants Foppish Paddington 2.))

The third film of the series, Paddington in PeruThe risk of being a continuation of Haisprung, with King and his co-authors, who have now been replaced by the first feature director Dougal Wilson and a new writing team, consisting of Mark Burton, Jon Foster and James Lamont. But the fans of the bear coated by Duffel will be pleased to experience Citizen Kane As one of the best rated films on lazy tomatoes, it keeps your warm and cheeky funny spirit.

An opening sequence tells the original history of our hero: As a baby bear in Peru, Paddington was swept away by a river when he climbed onto a tree to reach a particularly delicious -looking orange. He was saved by the Wise Bear Aunt Lucy (expressed by Imelda Staunton), who made the young animal available as her own. When we look ahead in Paddington’s current home at the Brown family in London, we learn that the old Lucy, who is now based in a house for retired bears on the other side of the Atlantic, has again visited Paddington. So when urging the bear – incompaned by the “Can you say no to these eyes?” Look that a parent of small children will recognize – the browns decide to pack themselves for a South American journey.

When the trip to Peru is a return for Paddington, it signals the beginning of an urgently needed adventure for the Brown family. Mr. Brown (Hugh Bonneville) works in risk management for a London insurance company, but like his new boss after the base in the high-rise conference room, he can learn to tolerate a little more risk himself. Mrs. Brown (Emily Mortimer who replaces Sally Hawkins in the role) does her best to hold the family together when her today’s children (Madeleine Harris and Samuel Joslin) prepare to leave the nest.

When arriving in the house for retired bears, the family is scared to learn from the pathological, happy nun, which leads the place (a delightfully stabilous Olivia Colman), which aunt Lucy has disappeared in the nearby rainforest. The only evidence of why a card and a talisman bracelet, the Paddington discovers in her room. Soon the browns begin with a swampy boat captain Hunter Cabot (Antonio Banderas) a dangerous journey up the Amazon river, which has its own motifs for the localization of the older bear. Cabot is apparently the descendant of a family who has been looking for the mythical gold of El Dorado for generations. In an ongoing joke that becomes funny again and again in the course of the film, his ancestors (all played by Banderas) appear in a ghostly form to continue it while he is looking for his assets with more and more warm means. Paddington in Peru If it manages to avoid the exotication stoned by the original book series, in which the bear comes as a “Darkest Peru”, although the film is to blame not to occupy any Peruvian actors in important roles. Like the two earlier Paddington Films, this is partly a history of the identity of the immigrants, with the bear being hung between his rainforest past and its thoroughly British presence. A scene late in the film shows how he negotiates this double identity in a way that could take advantage of children from a migration background.

Towards the end, during an extended action highlight that could be a separate film with the title Indiana Jones and the glass jamPresent Paddington in Peru Slims from his calm roots of storybooks to become a little predictable, although still amusing children’s entertainment. In fact, it could be argued that the highlight of the film will come in the first 20 minutes when Colman grabs a guitar to provide a complete music number: “Let us prepare for Paddington”, while her face dressed with beams with beams an unholy joy in joy. The sheer infection of this dittal (and its Spanish -speaking version, “Preparémonos Para Paddington”) is worth the price of the ticket. The best of everything is that the self-confidence of this moment of moment has been waiting for one of their lives Sound of music Spoof set in a nursing home for bears? Of course they have! View again.